The film was directed by Goro Miyazaki, Hayao’s son, whose works are unfortunately more inconsistent than those of his father. Most flabbergasting is the ending – the film abruptly stops right as it starts to get interesting. Bella Yaga is indeed a witch, but she is neither pleasant to be around nor interesting as a character. Most of it revolves around Earwig, an orphan girl, doing menial housework for her adoptive mother, Bella Yaga. The story is also lacking, moving at a sluggish pace and seeming never to leave its one enclosed, stifling locale. Compared to Studio Ghibli’s luscious hand-drawn environments and characters, there is not much to write home about visually in Earwig. This decision was not inherently bad, but the film’s animation has been widely criticized as outdated and stilted.
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Based on the novel by Diana Wynne Jones, this was the first Ghibli movie to use computer-generated animation. Unfortunately, Studio Ghibli’s latest film is also its least impressive. Every one of these films is a work of art in their own right, and has something of value to offer. This list is not meant to shut out opposing opinions, but to spark discussion. Some level of subjectivity is inevitable – a fan might single out a film relatively low on this list as their personal favorite, and that is a completely valid viewpoint. This list will attempt to rank the Studio Ghibli films by their artistry, depth, storytelling, and overall quality. Still, within Ghibli’s filmography, some films shine brighter than others in terms of quality, and some are hidden gems that are sadly underwatched and undervalued. But in some ways, Ghibli exceeds its Western counterpart in quality and consistency. Praised by critics for their stunning animation quality, strong characters, and strikingly imaginative storytelling, the films of Studio Ghibli are sometimes thought of as the Disney of Japan. Led by Hayao Miyazaki and the late Isao Takahata, Ghibli has single-handedly changed the course of Japanese animation and introduced it to a much wider audience. “I feel it fits for ordinary people like us to work diligently.The films of Studio Ghibli are beloved by countless fans around the world.
“CGI doesn’t require as many geniuses as hand-drawn animation,” he said. He opted for computer-generated imagery following “Ronja,” which he worked on independently. Goro set up an international team for the project, comprised of creators from Indonesia, Taiwan, France and Japan, with Malaysian animator Tan Se Lee, who worked with Goro on “Ronja, the Robber’s Daughter,” playing the central role. It is Goro’s first Ghibli film since “From Up on Poppy Hill,” released in 2011. “She doesn’t want to be controlled by adults, and instead she controls them and tries to earn her own place.” “I found it interesting because Earwig is not a ‘good girl,’” Goro said, recalling how he felt when he read the original novel. It is based on a book of the same name by Diana Wynne Jones, whose “Howl's Moving Castle” was also adapted into an animated feature film by Ghibli. The comedy centers around Earwig, a strong-minded girl who is sent from an orphanage to live with a mean witch. My (ex-animator) mother, who is as outspoken as my father, also praised my work for the first time.”
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“After it aired on TV, I heard that some elders said they enjoyed seeing the child full of energy throughout the story. “I think that’s because he’s grown old,” Goro said. It is uncharacteristic of Hayao to rave about anyone’s work, regardless of the creator. But he said his son’s latest work was fun and that he wanted to offer unconditional praise for his achievement. Hayao had criticized his son for jumping into the anime industry to work as a director without previous experience. (NHK) aired it late last year ahead of its theatrical debut.īut most surprising of all, it was the first work by Goro Miyazaki to win a rare, rave review from his father and world-famous director, Hayao Miyazaki, who had been critical of his previous films but entrusted him with the project.
It marked the first time the renowned anime house has made a fully computer-generated feature film, and Japan Broadcasting Corp. The release of Studio Ghibli Inc.’s “Earwig and the Witch” has been full of surprises.
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